An hour of footage used to cost you an evening. Now it costs a coffee.
Footage in. Selects out. The strongest take of every setup, spread across four timelines so you see every decision. Ready to cut in Resolve or Premiere.
RED · ARRI · Sony · Canon · DJI · iPhone → straight into your Resolve or Premiere project
Footage in. Selects out.
A RED 6K shoot. 150 takes of RAW. 76 minutes of footage in, 12 minutes of selects out. This is the whole thing, start to finish, in one pass.
Three steps. You do the first one.
Drop the footage
Drag a folder onto the window or the Dock icon. Any camera, any number of folders, one project.
It does the boring 80%
It watches every frame so you never have to. Bad takes set aside, setups grouped, the strongest take of each on top. Nothing to install.
Open your selects
Four timelines, waiting in Resolve or Premiere, linked to your original footage. You sit down at the decision, not the logging.
Everything
Full coverage, nothing touched.
Clean
Technical junk removed. Blur, shake, broken exposure.
Ranked
The pool worth your attention, scored and ordered.
Selects
The strongest take of every setup. Your starting point.
Where the ranking comes from.
Trained on thousands of real selects decisions from twenty years of commercial directing. Which take a working director actually kept, and why.
When it cannot tell two takes apart, it keeps both instead of guessing. Your eye stays the verdict.
Beta pricing, shown plainly.
You see the price before you sign up on purpose. A two-hour shoot is twenty dollars. The same first pass used to cost you an evening, or an assistant editor a day rate.
Built by a working commercial director, trained on twenty years of his own selects decisions. Spots are limited, so onboarding is by hand for now.
Get early accessGet early access
Tell us where to send the beta. We onboard new editors in small batches.
You are on the list.
We onboard in small batches, so we will email you when your spot opens, usually within a few days. If you left a number, expect a short call to walk you through your first project.
The honest answers.
Does it replace my judgment?
No. It does the part everything else waits on. Watching all of it, pulling the usable takes, comparing the six versions of the same shot. You still make the cut. The selects timeline is your starting point, not the answer.
Will this work with my footage?
Yes. RED, ARRI, Sony, Canon, DJI, iPhone, and any standard file. RED RAW opens natively, with nothing to install.
Will it work in my editor?
Yes. It works in Resolve and Premiere, and it exports XMLs, so it plugs into anything that reads XML files.
Is my footage secure?
Yes. Low-res editing proxies are uploaded so the analysis can run through Gemini, and that is the whole trip. Your footage is never used to train AI, in any capacity.
Does it damage or delete anything?
No. Every frame is accounted for. Nothing is destroyed. Cuts carry reasons, and a correction you make in your NLE can be read back as training signal.
An hour of footage is 55 minutes of almost. Let the machine watch it.
You sit down to a timeline that is already pulled, already ranked, already linked to your RAW. You spend your hours on the cut, which is the only part that ever needed you.
Get early access Beta. $10 per hour of footage. Limited to what one team can onboard.